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Showing posts from November, 2010

Nanking - a Revisionist Historian's nightmare

A tribute to Iris Chang (Mar 28, 1968 – Nov 9, 2004). The Revisionist Historian is a quill breed of mercenary paid well to distort history in order to serve and propagate the ruling staple. His objective is simply to change the discourse by incubating his larvae in the soft minds of the young. The end result of his skewered treatise is apparent but his cowardice is disguised. Hardly seen, the imbecile is a consuming elite who instructs servile supplicants to test the fervor of peers and produces a slew of ‘revelations’ that are timed for effect. The shameless creature can be as bald as a firebrand Mullah who sponsors an elaborate convention to deny the Jewish Holocaust to a slick Professor of the Bucaille genre who gets his wood and those of his students up by burnishing lies about the Nanking ‘Incident’ deep into the Tabula Rasa. Matching tenacity with industry, Iris Chang will have nothing of the sort under her watch. She expresses facts as they are and exposes the revisionist...

Faith & Fate: The Dawn of the Century 1900-1910

I am Malaysian and I live with anti-Semitic fervor in the environment cranked up considerably the past decade. Comical as it may be, it begs to be understood. I tell friends, to understand your doctrine, make your nemesis a vocation. I tell friends, when someone says he is governed by a religious edict designed to sustain you, I would pay attention. 'Tikkun Olam' is the oldest 'Realty Show' and the best in the business. Simply put, it keeps mankind from self-destructing. The above documentary from JewishHistory.org is a gem and conversely, the site is a place to be if the object is to understand the aroma of its nemesis. A glass to Berel Wein and Ashley Lazarus.  Words - Tommy Peters   Repost from site:-  Faith & Fate is a documentary telling the story of the Jews in the 20th Century.

The first Episode is called, "The Dawn of the Century" and covers 1900 - 1910.

 This episode introduces the uniqueness of Jewish history in the 20th century within th...

Zappa: The Tonight Show 1963 1993

The Tonight Show 1963 is a crystal-ball of what he already was. At 22 he demonstrates that his psychic is not a later accretion but a previous manifestation. In his toolkit he wields zany from Bicycle to Synclavier while merging intellect, imagination and humor to evolve a distinct genre – Zappa. He makes no apologies for narratives that morph vulgar from classical to rubato spliced with paranoia and exclamatory interruptions in between. He decries recognition but is inducted posthumously into a Rock & Roll Hall with a Grammy a Bust and a 'Frank Zappa Day' in the equation. To surmise, the Mozart of the 20th took the condescending alec out of The Tonight Show in 1963 and left the same platform placid 30 years later. Words - Tommy Peters

Proton: The Bigger The Fool, The Harder The Fall

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Preamble:- Kristofferson is the greatest all-rounder since Astaire. He embraced an era of originality that gave birth to a different genre of artist’ altogether. The Bigger The Fool, The Harder The Fall is a poem that partakes of both speech and tune. It partakes of both emotion and beauty. It is a downhill ride to unconditional love spurned yet again. It captures the betrayal of Proton to the nation.  Originality is a powerful nationalist. France has an icon in Peugeot, Italy in Ferrari and Germany in Benz. Malaysia has an icon in the understated Tara KLamp. The nation leads in safe circumcision. Although in the wake of the original design, competition in form of the Ali Klamp , Ismail Klamp and Smart Klamp clever enough to circumvent intellectual property issues, were born. Copycats are inconsequential in the design narrative because they are simply plagiarized articles that serve to embarrass the country of origin. Proton is analogous to a writer who began a career ...