There is no Step 3 when you face the Twelfth

Preamble:- The House of Saud, which prides itself as the Rolls of the Middle East, is keenly aware that there is no Step 3 when you face the Twelfth Imam in the public domain. 

Debating the merits and demerits of the cabal's house-negro is as awkward as it is irrelevant, but it is not a waste of time given that it provokes the Django debate. It is not Washington that 'made the region tremble' but an elite group that holds the violin, that drew lines in the sand, that defined not only the plethora of caged psyches we call The Middle East but resurrected their doctrinal antithesis in the form of a refreshing tech-driven 4000-year-old flicker to flame, tasked with dragging minions, misogynists and dictators of all stripes out of their dark caves, into modernity.

On the chessboard, the grandmaster's protected one is Israel. It is a 'prized flame' while the one who trembles in its jubbah is the House of Saud, the DHL of the triangle and the necessary hypocrite of the region, waiting to be used and abused, that is now under instructions to deliver everything from moolah to weapons and food to sarin to the enemies of the Syrian regime, to unlock once again the guns of the cabal's attack dog, NATO.


The House of Saud, which prides itself as the Rolls of the Middle East, is keenly aware that there is no Step 3 when you face the Twelfth Imam in the public domain. Thus, it has always been in obedient lockstep with fellow brothers, not because it was the dark triadic that drew its borders on the sand, but because the masterpiece of the century-old sand art that includes its own life-blood, in the form of the Shia-populated Eastern' Exxon-Mobil-Aramco' province, can be re-drawn as quickly as it was drawn, to penalize it even for perceived disobedience, thereby looming the gut-wrenching spectre of transferring the Sunni-oil hegemony called OPEC together with the House of Islam called The Kaaba, into the waiting arms of the patient and proud 'Twelvers' of Shia Iran - for a price. 

Words, Tommy Peters. 
   

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